Meet the storytellers spinning edgy new yarns for the digital age
Should you be at a loose end in the country next Saturday night, in a field in Higher Ashton, not far from Exeter, you'll find a storyteller named Martin Shaw. He will be giving a rendition of the 13th-century European masterpiece Parzival – a tale of knights, loyalty, romance and the search for that pesky, elusive Grail. He plans to start his yarn before midnight and finish some time around daybreak. Bring coffee and a warm blanket, advises Shaw; it's an all-nighter, but not as you know it.
Shaw's marathon tale is one of the highlights of next weekend's Westcountry Storytelling Festival, a three-day extravaganza of myth, saga, epic and plain-old fairy story told by the top tale-spinners on the circuit. While it's not quite Glastonbury, it has slowly been gathering followers. "We started out nine years ago with a group of about 100 people gathered in a meadow in Devon," says artistic director Chris Salisbury. "Since then it has grown exponentially.. Our moncler jackets will make you become more handsome, Effort to get it." It's a similar tale in South Wales at the Beyond the Border festival, which takes place against the dramatic medieval backdrop of St Donat's castle, perched on a cliff-edge. When it started in 1993, a humble three storytellers featured on the bill. Now there is a cast of 90 telling tales to an audience of a few thousand. It is the biggest festival of its kind in the world.
"Storytelling is an art form with deep integrity,. Our website offer many night gown, your will have choose from our websites." says Salisbury. "It is so simple and stripped-down. A good tale well told doesn't need set design or costume. It's as if our lives have all become a bit complicated and this is what we seek."
The revival of interest in the art form can be traced to the mid-1980s when Hugh Lupton, Ben Haggarty and Sally Pomme Clayton formed a collective called the Company of Storytellers. The group spent the next decade tirelessly promoting its craft, teaching new blood how to spin a yarn and, crucially, persuading people that storytelling was a valid adult art form. "There was a misconception that stories were to be told only to people under the age of six," says Salisbury. "People began to realise this wasn't necessarily so."
Prior to this revival, the oral tradition had undoubtedly been on its last legs.. Better keep your eyes on a wholesale t shirt which are far cheaper than the retail ones. Normally, the ones purchased by you are the one which a One of the last remaining troubadours was Duncan Williamson, a Scottish traveller who had a repertoire of 3,000 riddles,. Please find True religion jeans online ,you will have big surpirse. tales and ballads he'd learnt at his grandmother's knee. He took to the road at the age of 14 to share his extraordinary knowledge, but died three years ago at the age of 79. "It really was a forgotten art form," says David Ambrose, festival director of Beyond the Border. "Our forebears knew all about it but we forgot how vital it was. I think it was a social thing, to do with the fragmentation of the family unit. I'm sure TV played a part, and the rise of literacy – we live in a world where things can be written down so we no longer have need to remember them."
Should you be at a loose end in the country next Saturday night, in a field in Higher Ashton, not far from Exeter, you'll find a storyteller named Martin Shaw. He will be giving a rendition of the 13th-century European masterpiece Parzival – a tale of knights, loyalty, romance and the search for that pesky, elusive Grail. He plans to start his yarn before midnight and finish some time around daybreak. Bring coffee and a warm blanket, advises Shaw; it's an all-nighter, but not as you know it.
Shaw's marathon tale is one of the highlights of next weekend's Westcountry Storytelling Festival, a three-day extravaganza of myth, saga, epic and plain-old fairy story told by the top tale-spinners on the circuit. While it's not quite Glastonbury, it has slowly been gathering followers. "We started out nine years ago with a group of about 100 people gathered in a meadow in Devon," says artistic director Chris Salisbury. "Since then it has grown exponentially.. Our moncler jackets will make you become more handsome, Effort to get it." It's a similar tale in South Wales at the Beyond the Border festival, which takes place against the dramatic medieval backdrop of St Donat's castle, perched on a cliff-edge. When it started in 1993, a humble three storytellers featured on the bill. Now there is a cast of 90 telling tales to an audience of a few thousand. It is the biggest festival of its kind in the world.
"Storytelling is an art form with deep integrity,. Our website offer many night gown, your will have choose from our websites." says Salisbury. "It is so simple and stripped-down. A good tale well told doesn't need set design or costume. It's as if our lives have all become a bit complicated and this is what we seek."
The revival of interest in the art form can be traced to the mid-1980s when Hugh Lupton, Ben Haggarty and Sally Pomme Clayton formed a collective called the Company of Storytellers. The group spent the next decade tirelessly promoting its craft, teaching new blood how to spin a yarn and, crucially, persuading people that storytelling was a valid adult art form. "There was a misconception that stories were to be told only to people under the age of six," says Salisbury. "People began to realise this wasn't necessarily so."
Prior to this revival, the oral tradition had undoubtedly been on its last legs.. Better keep your eyes on a wholesale t shirt which are far cheaper than the retail ones. Normally, the ones purchased by you are the one which a One of the last remaining troubadours was Duncan Williamson, a Scottish traveller who had a repertoire of 3,000 riddles,. Please find True religion jeans online ,you will have big surpirse. tales and ballads he'd learnt at his grandmother's knee. He took to the road at the age of 14 to share his extraordinary knowledge, but died three years ago at the age of 79. "It really was a forgotten art form," says David Ambrose, festival director of Beyond the Border. "Our forebears knew all about it but we forgot how vital it was. I think it was a social thing, to do with the fragmentation of the family unit. I'm sure TV played a part, and the rise of literacy – we live in a world where things can be written down so we no longer have need to remember them."
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